Caslon Classico appeared in 1993 and was designed by Franco Luin, the designer of various interpretations of classic typefaces. Next to Baskerville, Caslon is known as the embodiment of the English Baroque-Antiqua and has gone through numerous new interpretations, meaning that every Caslon is slightly different. The overall impression which Caslon makes is serious, elegant and linear. The serifs are finer and the axis of the curvature is almost or completely vertical. The characteristics of the earlier Renaissance typefaces are only barely detectable. The Caslon font was long known as the script of kings, although on the other side of the political spectrum, the Americans used it as well for their Declaration of Independence. His major influences were the Dutch designers Christoffel van Dijcks and Dirck Voskens. The Englishman William Caslon (1672-1766) first cut his typeface Caslon in 1725. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. In addition to the adjustment of spacing, there are also adjustments in the design. The kerning tables, as well, have been individualized for each of these type varieties. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. That of the Bodytypes is adjusted for readability. The most obvious differentiation can be found in the spacing. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). It does not store any personal data.Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. The designer and publisher deserves to be paid for their work.
ADOBE CASLON PRO BOLD FREE FONT DOWNLOAD
If you really want Adobe Caslon Pro® then click here to visit the download and purchase page on MyFonts to get it with the proper license. It is very unlikely you'll be able to find it for free, you risk getting viruses on your computer, and even if you do find it please remember that it's illegal to use it if you didn't pay for it!
Please don't waste your time looking for a free download of Adobe Caslon Pro®. No, every font we feature is a premium, paid-for font. For more previews using your own text as an example, click here. Here is a preview of how Adobe Caslon Pro® will look. The Adobe Caslon Pro® includes the following font families: Ideally suited for text in sizes ranging from 6- to 14-point, Adobe Caslon Pro is the right choice for magazines, journals, book publishing, and corporate communications. The OpenType “Pro” version merges formerly separate fonts (expert, swash, small caps, etc.), and adds both central European language support and several additional ligatures. The first printings of the American Declaration of Independence and the Constitution were set in Caslon.įor her Caslon revival, designer Carol Twombly studied specimen pages printed by William Caslon between 17. Caslon’s types became popular throughout Europe and the American colonies printer Benjamin Franklin hardly used any other typeface. Because of their remarkable practicality, Caslon’s designs met with instant success. Caslon’s types were based on seventeenth-century Dutch old style designs, which were then used extensively in England. William Caslon released his first typefaces in 1722.
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